Cultural Mediators Seduced by Mad Men: How cultural journalists legitimized a quality TV series in the Nordic Region

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Standard

Cultural Mediators Seduced by Mad Men: How cultural journalists legitimized a quality TV series in the Nordic Region. / Kristensen, Nete Nørgaard; Hellman, Heikki; Riegert, Kristina.

I: Television & New Media, Bind 20, Nr. 3, 01.03.2019, s. 257– 274.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Kristensen, NN, Hellman, H & Riegert, K 2019, 'Cultural Mediators Seduced by Mad Men: How cultural journalists legitimized a quality TV series in the Nordic Region', Television & New Media, bind 20, nr. 3, s. 257– 274. https://doi.org/10.1177/1527476417743574

APA

Kristensen, N. N., Hellman, H., & Riegert, K. (2019). Cultural Mediators Seduced by Mad Men: How cultural journalists legitimized a quality TV series in the Nordic Region. Television & New Media, 20(3), 257– 274. https://doi.org/10.1177/1527476417743574

Vancouver

Kristensen NN, Hellman H, Riegert K. Cultural Mediators Seduced by Mad Men: How cultural journalists legitimized a quality TV series in the Nordic Region. Television & New Media. 2019 mar. 1;20(3):257– 274. https://doi.org/10.1177/1527476417743574

Author

Kristensen, Nete Nørgaard ; Hellman, Heikki ; Riegert, Kristina. / Cultural Mediators Seduced by Mad Men: How cultural journalists legitimized a quality TV series in the Nordic Region. I: Television & New Media. 2019 ; Bind 20, Nr. 3. s. 257– 274.

Bibtex

@article{feb6bfd80e0a43458f0953911686cdfd,
title = "Cultural Mediators Seduced by Mad Men:: How cultural journalists legitimized a quality TV series in the Nordic Region",
abstract = "Based on theories about the role of cultural mediators in cultural production and using the TV series Mad Men as a case, this article investigates how cultural journalists in the Nordic countries have contributed to legitimizing “quality TV series” as a worthy field of aesthetic consumption. Key analytical points are as follows: (1) cultural journalists legitimize Mad Men{\textquoteright}s quality by addressing aspects internal (aesthetic markers) and aspects external (culture industry markers) to the series, as well as the series{\textquoteright} broader social and historical anchoring; (2) Nordic cultural journalists position themselves positively toward the TV series based on their professional expertise and their personal taste preferences and predilections; (3) these legitimation processes take place across journalistic genres, pointing to the importance not only of TV criticism, epitomized by the review, but of cultural journalism more broadly in constructing affirmative attitudes toward popular culture phenomena such as TV series.",
author = "Kristensen, {Nete N{\o}rgaard} and Heikki Hellman and Kristina Riegert",
year = "2019",
month = mar,
day = "1",
doi = "10.1177/1527476417743574",
language = "English",
volume = "20",
pages = "257– 274",
journal = "Television and New Media",
issn = "1527-4764",
publisher = "SAGE Publications",
number = "3",

}

RIS

TY - JOUR

T1 - Cultural Mediators Seduced by Mad Men:

T2 - How cultural journalists legitimized a quality TV series in the Nordic Region

AU - Kristensen, Nete Nørgaard

AU - Hellman, Heikki

AU - Riegert, Kristina

PY - 2019/3/1

Y1 - 2019/3/1

N2 - Based on theories about the role of cultural mediators in cultural production and using the TV series Mad Men as a case, this article investigates how cultural journalists in the Nordic countries have contributed to legitimizing “quality TV series” as a worthy field of aesthetic consumption. Key analytical points are as follows: (1) cultural journalists legitimize Mad Men’s quality by addressing aspects internal (aesthetic markers) and aspects external (culture industry markers) to the series, as well as the series’ broader social and historical anchoring; (2) Nordic cultural journalists position themselves positively toward the TV series based on their professional expertise and their personal taste preferences and predilections; (3) these legitimation processes take place across journalistic genres, pointing to the importance not only of TV criticism, epitomized by the review, but of cultural journalism more broadly in constructing affirmative attitudes toward popular culture phenomena such as TV series.

AB - Based on theories about the role of cultural mediators in cultural production and using the TV series Mad Men as a case, this article investigates how cultural journalists in the Nordic countries have contributed to legitimizing “quality TV series” as a worthy field of aesthetic consumption. Key analytical points are as follows: (1) cultural journalists legitimize Mad Men’s quality by addressing aspects internal (aesthetic markers) and aspects external (culture industry markers) to the series, as well as the series’ broader social and historical anchoring; (2) Nordic cultural journalists position themselves positively toward the TV series based on their professional expertise and their personal taste preferences and predilections; (3) these legitimation processes take place across journalistic genres, pointing to the importance not only of TV criticism, epitomized by the review, but of cultural journalism more broadly in constructing affirmative attitudes toward popular culture phenomena such as TV series.

U2 - 10.1177/1527476417743574

DO - 10.1177/1527476417743574

M3 - Journal article

VL - 20

SP - 257

EP - 274

JO - Television and New Media

JF - Television and New Media

SN - 1527-4764

IS - 3

ER -

ID: 184633143