Publicity, news content, and cultural debate: The changing coverage of blockbuster movies in cultural journalism

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Standard

Publicity, news content, and cultural debate : The changing coverage of blockbuster movies in cultural journalism. / Kristensen, Nete Nørgaard; From, Unni.

I: Communication, Culture & Critique, Bind 8, Nr. 3, 01.09.2015, s. 484-501.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Kristensen, NN & From, U 2015, 'Publicity, news content, and cultural debate: The changing coverage of blockbuster movies in cultural journalism', Communication, Culture & Critique, bind 8, nr. 3, s. 484-501. https://doi.org/10.1111/cccr.12094

APA

Kristensen, N. N., & From, U. (2015). Publicity, news content, and cultural debate: The changing coverage of blockbuster movies in cultural journalism. Communication, Culture & Critique, 8(3), 484-501. https://doi.org/10.1111/cccr.12094

Vancouver

Kristensen NN, From U. Publicity, news content, and cultural debate: The changing coverage of blockbuster movies in cultural journalism. Communication, Culture & Critique. 2015 sep. 1;8(3):484-501. https://doi.org/10.1111/cccr.12094

Author

Kristensen, Nete Nørgaard ; From, Unni. / Publicity, news content, and cultural debate : The changing coverage of blockbuster movies in cultural journalism. I: Communication, Culture & Critique. 2015 ; Bind 8, Nr. 3. s. 484-501.

Bibtex

@article{b592312fddbb43799c829c55451da6ca,
title = "Publicity, news content, and cultural debate: The changing coverage of blockbuster movies in cultural journalism",
abstract = "This article shows that blockbuster movies are predestined to receive media coverage not only because they are increasingly professionally promoted but also because they carry both “publicist” and media commercial news value. The promotional culture surrounding the blockbuster movie event, including the attention devoted to celebrity actors and directors, attracts media audiences, while the movie itself may stimulate sociocultural debate on film esthetics, art, celebrity culture, and the cultural industries. Taking our point of departure in mediatization theory, we analyze the interwoven communicative forms of the film industry and the printed press. We exemplify our arguments with the coverage in Danish newspapers of 3 blockbusters, representing different points in time in the more recent history of film and news media",
author = "Kristensen, {Nete N{\o}rgaard} and Unni From",
year = "2015",
month = sep,
day = "1",
doi = "10.1111/cccr.12094",
language = "English",
volume = "8",
pages = "484--501",
journal = "Communication, Culture and Critique",
issn = "1753-9129",
publisher = "Wiley-Blackwell",
number = "3",

}

RIS

TY - JOUR

T1 - Publicity, news content, and cultural debate

T2 - The changing coverage of blockbuster movies in cultural journalism

AU - Kristensen, Nete Nørgaard

AU - From, Unni

PY - 2015/9/1

Y1 - 2015/9/1

N2 - This article shows that blockbuster movies are predestined to receive media coverage not only because they are increasingly professionally promoted but also because they carry both “publicist” and media commercial news value. The promotional culture surrounding the blockbuster movie event, including the attention devoted to celebrity actors and directors, attracts media audiences, while the movie itself may stimulate sociocultural debate on film esthetics, art, celebrity culture, and the cultural industries. Taking our point of departure in mediatization theory, we analyze the interwoven communicative forms of the film industry and the printed press. We exemplify our arguments with the coverage in Danish newspapers of 3 blockbusters, representing different points in time in the more recent history of film and news media

AB - This article shows that blockbuster movies are predestined to receive media coverage not only because they are increasingly professionally promoted but also because they carry both “publicist” and media commercial news value. The promotional culture surrounding the blockbuster movie event, including the attention devoted to celebrity actors and directors, attracts media audiences, while the movie itself may stimulate sociocultural debate on film esthetics, art, celebrity culture, and the cultural industries. Taking our point of departure in mediatization theory, we analyze the interwoven communicative forms of the film industry and the printed press. We exemplify our arguments with the coverage in Danish newspapers of 3 blockbusters, representing different points in time in the more recent history of film and news media

UR - https://onlinelibrary.wiley.com/doi/10.1111/cccr.12094/abstract

U2 - 10.1111/cccr.12094

DO - 10.1111/cccr.12094

M3 - Journal article

VL - 8

SP - 484

EP - 501

JO - Communication, Culture and Critique

JF - Communication, Culture and Critique

SN - 1753-9129

IS - 3

ER -

ID: 131419577