Skjulte forbindelser? Om forholdet mellem private og offentlige kunstsamlinger

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

Skjulte forbindelser? Om forholdet mellem private og offentlige kunstsamlinger. / Dam Christensen, Hans.

I: Nordisk Museologi, Nr. 2, 12.2011, s. 3-18.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Dam Christensen, H 2011, 'Skjulte forbindelser? Om forholdet mellem private og offentlige kunstsamlinger', Nordisk Museologi, nr. 2, s. 3-18. <http://www.nordiskmuseologi.org/Indholdsfortegn/Indhold112.html>

APA

Dam Christensen, H. (2011). Skjulte forbindelser? Om forholdet mellem private og offentlige kunstsamlinger. Nordisk Museologi, (2), 3-18. http://www.nordiskmuseologi.org/Indholdsfortegn/Indhold112.html

Vancouver

Dam Christensen H. Skjulte forbindelser? Om forholdet mellem private og offentlige kunstsamlinger. Nordisk Museologi. 2011 dec.;(2):3-18.

Author

Dam Christensen, Hans. / Skjulte forbindelser? Om forholdet mellem private og offentlige kunstsamlinger. I: Nordisk Museologi. 2011 ; Nr. 2. s. 3-18.

Bibtex

@article{81c49ba3b5a54e6891b2296a4e3af313,
title = "Skjulte forbindelser?: Om forholdet mellem private og offentlige kunstsamlinger",
abstract = "The intention of this article is to open a debate on the too familiar dichotomy between private and public art collections. In historical and social contexts, the values as well as meanings of “private” and “public” interchange. Against this backdrop, it is tempting to question the common thinking regarding private and public collections, foremost in a Danish context. To mention just a few, more or less hidden relations: Public collections are more often than not founded on private donations and collections, and existing private collections can be open to the public as well as regulated by public legislation. In addition, private collectors can obtain a very high degree of visibility in the public sphere, they can exhibit their collections, and they can occupy important positions in the art world. Private and public collectors share common interests in visiting art fairs, knowing about upcoming galleries and artists etc., and public collectors can have their own private collections as well. In fact, we have very little research based knowledge of these liaisons.",
keywords = "Kunstmuseer, Samlinger, Lovgivning, Privatsamlinger, Offentlighedsf{\ae}re",
author = "{Dam Christensen}, Hans",
year = "2011",
month = dec,
language = "Dansk",
pages = "3--18",
journal = "Nordisk Museologi",
issn = "1103-8152",
publisher = "Museumshoejskolen",
number = "2",

}

RIS

TY - JOUR

T1 - Skjulte forbindelser?

T2 - Om forholdet mellem private og offentlige kunstsamlinger

AU - Dam Christensen, Hans

PY - 2011/12

Y1 - 2011/12

N2 - The intention of this article is to open a debate on the too familiar dichotomy between private and public art collections. In historical and social contexts, the values as well as meanings of “private” and “public” interchange. Against this backdrop, it is tempting to question the common thinking regarding private and public collections, foremost in a Danish context. To mention just a few, more or less hidden relations: Public collections are more often than not founded on private donations and collections, and existing private collections can be open to the public as well as regulated by public legislation. In addition, private collectors can obtain a very high degree of visibility in the public sphere, they can exhibit their collections, and they can occupy important positions in the art world. Private and public collectors share common interests in visiting art fairs, knowing about upcoming galleries and artists etc., and public collectors can have their own private collections as well. In fact, we have very little research based knowledge of these liaisons.

AB - The intention of this article is to open a debate on the too familiar dichotomy between private and public art collections. In historical and social contexts, the values as well as meanings of “private” and “public” interchange. Against this backdrop, it is tempting to question the common thinking regarding private and public collections, foremost in a Danish context. To mention just a few, more or less hidden relations: Public collections are more often than not founded on private donations and collections, and existing private collections can be open to the public as well as regulated by public legislation. In addition, private collectors can obtain a very high degree of visibility in the public sphere, they can exhibit their collections, and they can occupy important positions in the art world. Private and public collectors share common interests in visiting art fairs, knowing about upcoming galleries and artists etc., and public collectors can have their own private collections as well. In fact, we have very little research based knowledge of these liaisons.

KW - Kunstmuseer

KW - Samlinger

KW - Lovgivning

KW - Privatsamlinger

KW - Offentlighedsfære

M3 - Tidsskriftartikel

SP - 3

EP - 18

JO - Nordisk Museologi

JF - Nordisk Museologi

SN - 1103-8152

IS - 2

ER -

ID: 47071446