Film Aesthetics and the Embodied Brain

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning

Standard

Film Aesthetics and the Embodied Brain. / Grodal, Torben Kragh.

Neuroaesthetics. red. / Martin Skov; Oshin Vartanian. Amityville, New York : Baywood Publishing Company, 2009. s. 249-260.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning

Harvard

Grodal, TK 2009, Film Aesthetics and the Embodied Brain. i M Skov & O Vartanian (red), Neuroaesthetics. Baywood Publishing Company, Amityville, New York, s. 249-260.

APA

Grodal, T. K. (2009). Film Aesthetics and the Embodied Brain. I M. Skov, & O. Vartanian (red.), Neuroaesthetics (s. 249-260). Baywood Publishing Company.

Vancouver

Grodal TK. Film Aesthetics and the Embodied Brain. I Skov M, Vartanian O, red., Neuroaesthetics. Amityville, New York: Baywood Publishing Company. 2009. s. 249-260

Author

Grodal, Torben Kragh. / Film Aesthetics and the Embodied Brain. Neuroaesthetics. red. / Martin Skov ; Oshin Vartanian. Amityville, New York : Baywood Publishing Company, 2009. s. 249-260

Bibtex

@inbook{933f85e0ffb911de825d000ea68e967b,
title = "Film Aesthetics and the Embodied Brain",
abstract = "The article discusses - based on neuroscience and cognitive science - how the aesthetic experience of films depends on the brain's architecture and the mental flow called the PECMA flow. It describes how the flow from (visual and acoustic) perception of the film, via emotional and cognitive processes in the brain to simulated motor actions provides a series of options for aesthetic effects by the film's control of focus; focus on different steps in the flow will evoke different effects. The article further describe how shift of focus control experience of reality status, that is, whether something is real or mentalKeywords: Film aesthetics, neuroaesthetics, cognitive film theory film emotions  ",
author = "Grodal, {Torben Kragh}",
note = "Peer reviewed",
year = "2009",
language = "English",
isbn = "9780895033369",
pages = "249--260",
editor = "Martin Skov and Oshin Vartanian",
booktitle = "Neuroaesthetics",
publisher = "Baywood Publishing Company",

}

RIS

TY - CHAP

T1 - Film Aesthetics and the Embodied Brain

AU - Grodal, Torben Kragh

N1 - Peer reviewed

PY - 2009

Y1 - 2009

N2 - The article discusses - based on neuroscience and cognitive science - how the aesthetic experience of films depends on the brain's architecture and the mental flow called the PECMA flow. It describes how the flow from (visual and acoustic) perception of the film, via emotional and cognitive processes in the brain to simulated motor actions provides a series of options for aesthetic effects by the film's control of focus; focus on different steps in the flow will evoke different effects. The article further describe how shift of focus control experience of reality status, that is, whether something is real or mentalKeywords: Film aesthetics, neuroaesthetics, cognitive film theory film emotions  

AB - The article discusses - based on neuroscience and cognitive science - how the aesthetic experience of films depends on the brain's architecture and the mental flow called the PECMA flow. It describes how the flow from (visual and acoustic) perception of the film, via emotional and cognitive processes in the brain to simulated motor actions provides a series of options for aesthetic effects by the film's control of focus; focus on different steps in the flow will evoke different effects. The article further describe how shift of focus control experience of reality status, that is, whether something is real or mentalKeywords: Film aesthetics, neuroaesthetics, cognitive film theory film emotions  

M3 - Book chapter

SN - 9780895033369

SP - 249

EP - 260

BT - Neuroaesthetics

A2 - Skov, Martin

A2 - Vartanian, Oshin

PB - Baywood Publishing Company

CY - Amityville, New York

ER -

ID: 16918044