The Semiotics and Rhetoric of Music: A Case Study in Aesthetic Protocol Analysis
Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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The Semiotics and Rhetoric of Music : A Case Study in Aesthetic Protocol Analysis. / Kock, Christian Erik J.
Rhetorical Audience studies and Reception of Rhetoric: Exploring Audiences Empirically. red. / Jens Kjeldsen. Cham : Palgrave Macmillan, 2017. s. 185-211.Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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TY - CHAP
T1 - The Semiotics and Rhetoric of Music
T2 - A Case Study in Aesthetic Protocol Analysis
AU - Kock, Christian Erik J
PY - 2017
Y1 - 2017
N2 - Does music have meanings? If so, what are they like? These questions concern the semiotics of music. I will address these questions, using evidence from what I call aesthetic protocol analysis. I will further ask about the rhetorical significance of music having the kind of semiotics it apparently has. Given that music has the meanings it does, in the way it does, then what is the aesthetic function of that? In my view, asking what role meanings in music play for its aesthetic effect is to ask a rhetorician’s question. Rhetoricians will want to know what sorts of things artifacts do, and how they do them. That also goes for artifacts whose function is to provide aesthetic experience—and that, I believe, is what many of us listen to music for most of the time. So I wish to say something about what role the experience of musical meanings plays in this.
AB - Does music have meanings? If so, what are they like? These questions concern the semiotics of music. I will address these questions, using evidence from what I call aesthetic protocol analysis. I will further ask about the rhetorical significance of music having the kind of semiotics it apparently has. Given that music has the meanings it does, in the way it does, then what is the aesthetic function of that? In my view, asking what role meanings in music play for its aesthetic effect is to ask a rhetorician’s question. Rhetoricians will want to know what sorts of things artifacts do, and how they do them. That also goes for artifacts whose function is to provide aesthetic experience—and that, I believe, is what many of us listen to music for most of the time. So I wish to say something about what role the experience of musical meanings plays in this.
UR - https://www.palgrave.com/de/book/9783319616179
UR - https://link.springer.com/content/pdf/10.1007%2F978-3-319-61618-6_7.pdf
U2 - 10.1007/978-3-319-61618-6_7
DO - 10.1007/978-3-319-61618-6_7
M3 - Book chapter
SN - 978-3-319-61617-9
SP - 185
EP - 211
BT - Rhetorical Audience studies and Reception of Rhetoric
A2 - Kjeldsen, Jens
PB - Palgrave Macmillan
CY - Cham
ER -
ID: 173262944