The Semiotics and Rhetoric of Music: A Case Study in Aesthetic Protocol Analysis

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The Semiotics and Rhetoric of Music : A Case Study in Aesthetic Protocol Analysis. / Kock, Christian Erik J.

Rhetorical Audience studies and Reception of Rhetoric: Exploring Audiences Empirically. red. / Jens Kjeldsen. Cham : Palgrave Macmillan, 2017. s. 185-211.

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Harvard

Kock, CEJ 2017, The Semiotics and Rhetoric of Music: A Case Study in Aesthetic Protocol Analysis. i J Kjeldsen (red.), Rhetorical Audience studies and Reception of Rhetoric: Exploring Audiences Empirically. Palgrave Macmillan, Cham, s. 185-211. https://doi.org/10.1007/978-3-319-61618-6_7

APA

Kock, C. E. J. (2017). The Semiotics and Rhetoric of Music: A Case Study in Aesthetic Protocol Analysis. I J. Kjeldsen (red.), Rhetorical Audience studies and Reception of Rhetoric: Exploring Audiences Empirically (s. 185-211). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-61618-6_7

Vancouver

Kock CEJ. The Semiotics and Rhetoric of Music: A Case Study in Aesthetic Protocol Analysis. I Kjeldsen J, red., Rhetorical Audience studies and Reception of Rhetoric: Exploring Audiences Empirically. Cham: Palgrave Macmillan. 2017. s. 185-211 https://doi.org/10.1007/978-3-319-61618-6_7

Author

Kock, Christian Erik J. / The Semiotics and Rhetoric of Music : A Case Study in Aesthetic Protocol Analysis. Rhetorical Audience studies and Reception of Rhetoric: Exploring Audiences Empirically. red. / Jens Kjeldsen. Cham : Palgrave Macmillan, 2017. s. 185-211

Bibtex

@inbook{92ef00d7d1294c3eac234fed529c7fd4,
title = "The Semiotics and Rhetoric of Music: A Case Study in Aesthetic Protocol Analysis",
abstract = "Does music have meanings? If so, what are they like? These questions concern the semiotics of music. I will address these questions, using evidence from what I call aesthetic protocol analysis. I will further ask about the rhetorical significance of music having the kind of semiotics it apparently has. Given that music has the meanings it does, in the way it does, then what is the aesthetic function of that? In my view, asking what role meanings in music play for its aesthetic effect is to ask a rhetorician{\textquoteright}s question. Rhetoricians will want to know what sorts of things artifacts do, and how they do them. That also goes for artifacts whose function is to provide aesthetic experience—and that, I believe, is what many of us listen to music for most of the time. So I wish to say something about what role the experience of musical meanings plays in this. ",
author = "Kock, {Christian Erik J}",
year = "2017",
doi = "10.1007/978-3-319-61618-6_7",
language = "English",
isbn = "978-3-319-61617-9",
pages = "185--211",
editor = "Jens Kjeldsen",
booktitle = "Rhetorical Audience studies and Reception of Rhetoric",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - The Semiotics and Rhetoric of Music

T2 - A Case Study in Aesthetic Protocol Analysis

AU - Kock, Christian Erik J

PY - 2017

Y1 - 2017

N2 - Does music have meanings? If so, what are they like? These questions concern the semiotics of music. I will address these questions, using evidence from what I call aesthetic protocol analysis. I will further ask about the rhetorical significance of music having the kind of semiotics it apparently has. Given that music has the meanings it does, in the way it does, then what is the aesthetic function of that? In my view, asking what role meanings in music play for its aesthetic effect is to ask a rhetorician’s question. Rhetoricians will want to know what sorts of things artifacts do, and how they do them. That also goes for artifacts whose function is to provide aesthetic experience—and that, I believe, is what many of us listen to music for most of the time. So I wish to say something about what role the experience of musical meanings plays in this.

AB - Does music have meanings? If so, what are they like? These questions concern the semiotics of music. I will address these questions, using evidence from what I call aesthetic protocol analysis. I will further ask about the rhetorical significance of music having the kind of semiotics it apparently has. Given that music has the meanings it does, in the way it does, then what is the aesthetic function of that? In my view, asking what role meanings in music play for its aesthetic effect is to ask a rhetorician’s question. Rhetoricians will want to know what sorts of things artifacts do, and how they do them. That also goes for artifacts whose function is to provide aesthetic experience—and that, I believe, is what many of us listen to music for most of the time. So I wish to say something about what role the experience of musical meanings plays in this.

UR - https://www.palgrave.com/de/book/9783319616179

UR - https://link.springer.com/content/pdf/10.1007%2F978-3-319-61618-6_7.pdf

U2 - 10.1007/978-3-319-61618-6_7

DO - 10.1007/978-3-319-61618-6_7

M3 - Book chapter

SN - 978-3-319-61617-9

SP - 185

EP - 211

BT - Rhetorical Audience studies and Reception of Rhetoric

A2 - Kjeldsen, Jens

PB - Palgrave Macmillan

CY - Cham

ER -

ID: 173262944